The Golden Sequence

A Fourfold Study of the Spiritual Life

EVELYN UNDERHILL

FELLOW OF KING S COLLEGE, LONDON

2-3 Creative Spirit

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WE cannot, as Von Hügel said, find God's Spirit 'simply separate' from our own spirit; since the one impossibility of thought is the leaving of the thinking self behind. Still less can we isolate and observe that spirit, that seed of Absolute Life which is in us, apart from the supporting, spaceless, penetrating God. To speak of our spiritual life and our spiritual growth, then, is to speak not of ourselves but of Him; for we are daring to behold and describe the Divine creative action in its most subtle and mysterious operation, working in 'intimate union with our own'. It is true that there are many ways and degrees in which we may discover this fact of the ceaseless action of Spirit upon spirit; mediated as it is through all those physical and psychological experiences which make up the texture of our lives. One way or another, in times of crisis, in sudden moments of clear vision, in the terrible embrace of ghostly suffering—or by gradual meditation on the sequence of events, the slow insistent pressure, which changes the contour of our life, giving it a shape and meaning of which we never dreamed—

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we become aware of the presence of an Infinite Fact, living, personal, inerrant; whose moulding influence reaches us through and in that finite environment to which our outer lives are tuned.

We know the mysterious power of influence between man and man; know it so well, that we seldom pause to think of its strangeness and significance—how decisively it witnesses against any theory of the soul as an independent monad. Yet this interpenetration of human spirits is a mere shadow of the deep and actual penetration and influence of God on souls. And though news of this steadfast creative action, this supporting and stimulating presence of God must like all our other news enter the field of consciousness through the senses or the intellect, translating intuition into concepts and sensible signs; these only partly reveal and certify that deep action of Spirit upon and within our spirits, which is literally the life of our life. Sometimes it seems that we are bathed in a living Ocean, that pours into every corner of our being to cleanse, heal and refresh. Sometimes it seems that a personal energy compels, withstands, enlightens or suddenly changes us ; working on our stubborn natures with a stern, unflinching love. Yet even this language, vague as it may seem, is still far too rigid and too spatial, and these contrasting images too harsh and incomplete, for a situation and experience which only the allusive methods of poetry or inspiration can suggest.

There is on the north porch of the Cathedral of

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Chartres a wonderful sculpture of the creation of Adam. There we see the embryonic human creature, weak, vague, half-awakened, not quite formed, like clay on which the artist is still working: and brooding over him, with His hand on His creature's head, the strong and tender figure of the Artist-Creator. Creative Love, tranquil, cherishing, reverent of His material, in His quiet and patient method: so much more than human, yet meeting His half-made human creature on its own ground, firmly and gradually moulding it to His unseen pattern, endowing it with something of His own life. It is a vision of the Old Testament seen in the transfiguring light of the New Testament. The I will of an Absolute Power translated into the I desire of an Absolute Love; awful holiness reaching out to earthly weakness, and wakening it to new possibilities. Now this situation is surely the situation of all living souls; and the very essence of their spiritual life is or should be the lifting up of the eyes of Adam, the not yet fully human creature who is being made, in his weakness and hope, to the holy creative love which never lets him go, and in which his life is to find its meaning and goal.

It is true that the half-awakened Adam, stirring to consciousness, can give no exact meaning to the strange experiences that seem to reach him: the sudden or gradual changes, sharp pinches, smooth pressures or enlargements, by means of which he is being conformed to the secret type. He is still rather dazed by his situation; Eden itself is not

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clear to him yet. The true character of the Divine action is blurred by its passage through the world of succession. He sees and feels the Potter's tools, but not the Potter's hand 'acting within the world and moving all things to their respective ends'. Yet in prayer he can at least look up towards the Power that holds him, and so glimpse the truth of that majestic and delicate action; working through circumstance, 'from one end to another, mightily and sweetly ordering all things', and bringing each created spirit to its appointed state. This humble glance from the successive to the Abiding—this is the first gesture of recognition, the first spiritual movement of man.

Thinking of this we begin to realize what is meant by Maritain's deep saying: 'Adam sinned when he fell from Contemplation—since then, there has been a cleavage in man's life'. For sin is the willed departure of man's spirit from correspondence with the Spirit of God; a thwarting of the creative ideal. And such a thwarting of life's purpose is to be expected, when man ceases to look up and out beyond the world: to lift his eyes to God. Then he makes a cleavage between vision and action, departs from that realistic sense of the overruling Divine action, that 'Vision of the Principle' as St. Gregory called it, which is the first point of a spiritual life. Though the Vision of the Principle is far too great for Adam, and produces, by its very radiance, the obscurities of faith—still this dim humbling disclosure of the mystery of God's action

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does make the creature more supple to the pressure of the Divine life.

Yet even so, perhaps the image is not quite complete ; nor the situation rightly seen by us. For spiritual life consists in a submission, which is by turns active and passive, to the moulding and penetrating action of the supernatural order. It requires a secret collaboration between the soul and God. The gradual growth and transformation of the half-made natural creature into an agent of the Divine creativity—a 'child of God'—is achieved by a ceaseless and ever purer correspondence of man's will with the Creative Power. Left to ourselves, we are wholly unable to rise above our normal correspondence with the world of succession; the sensitive and natural levels of life. Spiritual life begins with a recognition of this humbling truth, and a willing response to that Spirit already intimately present with us, Who 'first creates and then sustains and stimulates' our childish souls, balancing each gift by a demand. It is, above all, the touch of this Creative Spirit acting on and through us, that we mean when we speak of our 'experience of God'.

What this experience can be in depth and richness for a fully expanded religious sense, is realized when we read with humility the declarations of the saints; for instance, when St. Teresa tells us that it marked an epoch in, her spiritual life when she 'learned that God was present in and with her Himself; and not, as she had been told, by His grace'. For here is a

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concrete experience, reported with a realistic simplicity, of the sustaining and stimulating action of that Present God. Those words are not chosen haphazard; they represent two distinct groups of experiences, in which we recognize the penetration of Spirit into sense, the direct action of God on human personality. First that steady support which, as Plotinus says, 'ever bears us', whether we notice it or not: as true an operation of the Holy Spirit as any abnormal manifestation, or 'charismatic' gifts. Next that strange insistent pressure, reaching men sometimes through outward events, sometimes by interior ways, which urges them forward on the spiritual path, incites them to those particular efforts, struggles and sacrifices, through which they grow up in the supernatural life. For this life requires from us a response which seems a paradox: on one hand an utter self-abandonment to the sustaining power; and on the other hand, because of that abandonment, a vigorous personal initiative a ceaseless balance and tension, through and by which our human action, ever more fully laid open to the Spirit, at last becomes part of the deep action of God.

This twofold relation of God's infinite Spirit and man's finite spirit is reflected in our characteristic religious practices: works of art, born of the deep Christian instinct for reality, which always seem to carry a double reference. On one hand there is the constant acknowledgement of a solid and objective support given by the Immanent Holy to

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its feeble creature—a literal response to the great Advent prayer 'Raise up, we pray thee, thy power; and come among us'. On the other hand, there is the steady demand on the self's own initiative and courage; on costly willing action, a total self-donation in the interests of Spirit, which may fulfil itself by way of homely self-denials or faithful unconsoled devotion, or may reach the summits of heroic sacrifice. Man, the slave of the Highest, is to be at once the patient and the agent of the Unseen. As that communion in which he receives the Food of eternal life is given the character of a sacrifice; so every true procession of the Spirit unites a gift and a demand. The Power comes first to transform, and then to use, the creature; to call out and penetrate its natural energies, and dedicate them to supernatural ends. For the dignity of the human soul is this: that not only can it be transformed in God by, as we say, co-operation with His grace, but being transformed, living eternal life, it can also take its part as the agent and tool of God in the redemptive action of the Holy on the world. And in this correspondence, so richly creative, with that Spirit which gives all that it is, and takes all that we are, we find once more the secret rhythm and deepest meaning of the spiritual life.

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Next: LIFE FINITE AND INFINITE

 

 

1906 - The Miracles of Our Lady Saint Mary

1911 - Mysticism

1912 - Introduction to The Cloud of Unknowing

1913 - The Mystic Way

1914 - Introduction: Richard Rolle - The Fire of Love

1915 - Practical Mysticism

1915 - Introduction: Songs of Kabir

1916 - Introduction: John of Ruysbroeck

1920 - The Essentials of Mysticism, and other Essays

1922 - The Spiral Way

1922 - The Life of the Spirit and the Life of Today (Upton Lectures)

1926 - Concerning the Inner Life

1928 - Man and the Supernatural

1929 - The House of the Soul

1933 - The Golden Sequence

1933 - Mixed Pasture: Twelve Essays

1936 - The Spiritual Life

1943 - Introduction to the Letters of Evelyn Underhill
by Charles Williams

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